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Brotherhood is a major theme, in both the troublesome relationship between Toby and Tanner, and Ranger Marcus’ constant needling of his half-Mexican, half-Comanche partner. Meanwhile, screenwriter Taylor Sheridan brings the dab hand with tension he wielded with sublime effect in last year’s stunning narco-thriller Sicario, giving us plenty of moments pregnant with violence, though not with the same focused intensity. But maybe Wim Wenders’ Paris, Texas is a closer relative, in terms of a foreign filmmaker beguiled, and overwhelmed, by the vastness of the West – lovingly lensed here by cinematographer Giles Nuttgens ( Young Adam, Hallam Foe) – and the death of the American dream. The scorched earth and machismo of Cormac McCarthy adaptations like The Road and No Country For Old Men is an obvious touchstone for Scottish director David Mackenzie’s follow-up to his acclaimed prison drama Starred Up. Naturally, mistakes will be made, loyalties will be tested and hard truths will be revealed before the guns come out and there’s no turning back. It’s a pretty ingenious scheme, and it’s got the Texas Rangers on their trail, close-to-retirement Marcus (Jeff Bridges) and his long-suffering partner Alberto (Gil Bermingham), scratching their heads as the boys inch closer to their final score with just days to spare before they lose it all. So they’re paying off the debt with the bank’s own money by knocking off branches across West Texas, laundering the cash at a casino out of state and burying the getaway cars on their property. The bank’s foreclosing on their late mother’s farm, which happens to be sitting on a reservoir of oil. Making for an austerity-themed double bill alongside home-invasion-with-a-twist thriller Don’t Breathe, which also opens this Friday, present-day western yarn Hell or High Water is at heart a classic Robin Hood tale, but retold with much more modern complications.Ĭowpoke brothers, designer-stubbled Toby (Chris Pine) and twitchy ex-con Tanner (Ben Foster), are robbing from the rich to give to the poor, in a manner of speaking. Present-day western Hell or High Water is ‘a classic Robin Hood tale retold with modern complications’ says MacDara Conroy